dl screening:
StadtRaum
Film Double Feature
• Klaus W. Eisenlohr
Stadtrandzone Mitte 46 min, 16mm, sound
• Klaus W. Eisenlohr und Johann Zeitler
zwischen | stadt | raum 64 min, 3 channel (HD Version)

Monday, 5 Dec 2011
19:30


Z-Bar

Bergstr. 2 
D-10115 Berlin-Mitte
U-Rosenthaler Platz

StadtRaum – Urban Space Double Feature

Two films, two film essays about public space. One is based on performances including public interventions on urban plazas in Hannover and the second film explores encounters in public space in Gropiusstadt, a modernist residential area in the South of Berlin. Both films bring forward issues of public space and urban development: Will public space disappear under the changes of globalization and the development of an electronic public sphere? Are there new meanings and new functions of urban public space that could reactivate public space also in urban areas outside of the historic center of cities? Do we still need public places, or urban community space in the larger metropolitan areas?
Both films developed from visual researches in the respective urban areas and may be best described as visual essays.

Klaus W. Eisenlohr is a lecturer at Photocentrum Kreuzberg and at Lexia International in Berlin. His media are photography, film and new media. Johann Zeitler mainly works with painting, performance and drawing. Both artist have collaborated on urban and film projects since 2003.


Links:
http://www.richfilm.de
http://www.richfilm.de/currentUpload
http://www.z-bar.de
http://www.directorslounge.net

Stadtrandzone Mitte:
http://www.richfilm.de/filmUpload/1-framesSRZM.html
zwischen | stadt | raum
http://www.richfilm.de/filmUpload/1-framesZSR.html

Directors Lounge Screening

Steven Ball
Travelling Practice
video works
Thursday, 27 Oct. 2011 
21:00 
Z-Bar
Bergstraße 2 
10115 Berlin-Mitte

Travelling Practice

Digital video works by Steven Ball 2003 – 2010. These works travel near and far, across physical and virtual space using material collected en route. Travel determines form, subject and object are fluid entities, digital experimentation becomes landscape study, hyperlocal excursion, and experimental documentary, as they explore and exhaust species of spaces and media.

Steven Ball has worked in film, video, sound and installation since the early 1980s. In the late 1980s he accidentally migrated to Melbourne, Australia. There he continued his practice making a number of film, video and sound and installation works, as well as being engaged in various curatorial, administrative, teaching and writing activities. Since returning to the UK he has worked predominantly with digital video, producing a series of works, which among other things, are particularly concerned with digital material processes and spatial representation.

Curated by Klaus W. Eisenlohr

Artist Links:

home: http://www.steven-ball.net

blog: http://directobjective.blogspot.com

videoblog: http://directlanguage2010.blogspot.com

Public Water: http://www.publicwater.net

More infos:

http://www.directorslounge.net

http://www.richfilm.de/currentUpload/

http://www.z-bar.de/Inhaltsseiten/kulturprogramm.html

Directors Lounge Screenings:   

Petra Lottje + Curtis Burz 
AUF DER SPUR
video works
Donnerstag, 29. Sept 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Directors Lounge präsentiert ein Programm mit Petra Lottje und Curtis Burz. Beide Künstler, aus ganz unterschiedlichem Hintergrund, Bildende Kunst bei Petra Lottje und die dokumentarische Tradition europäischen Kinos bei Curtis Burz, befassen sich mit zwischenmenschlichen Beziehungen. Ob diese nun eigentlich „auf der Spur“ sind (on track) oder „abseits der Spur“ (off track) bleibt auch über die ambivalente Benutzung der Medien oder des Recordings bei beiden Künstlern offen, oder hängt davon ab, welchen Blickpunkt der Beobachter (Zuschauer) selbst einnehmen will.

‚Sprache bildet in zahlreichen Videos Petra Lottjes den Ansatzpunkt der Auseinandersetzung. Sie kombiniert Tonsequenzen aus unterschiedlichen Spielfilmen, verleiht ihnen körperlichen Ausdruck und setzt sie in neue Zusammenhänge. … Heute ist jeder Protagonist seines eigenen Films, doch wie eigen ist dieser Film wirklich? Und wie sehr sind wir selbst Medien kollektiver Stereotypen?’ (Susanne Husse, 2010)

In drei Episoden aus dem dokumentarischen Essay „Ich habe Dir nie erzählt, womit ich mein Geld verdiene“ (2011) erzählt Curtis Burz von Menschen, die sich scheinbar in der Mitte der Gesellschaft bewegen, aber doch nur „vom Rand“ aus zuschauen. Die Geschichten basieren auf Interviews, die der Regisseur in der Zeit 2008-2010 geführt hat.

(Kuratiert von Klaus W. Eisenlohr)

Links:

https://www.facebook.com/IchHabeDirNieErzaehltWomitIchMeinGeldVerdiene

http://www.lottje.de

pripyat — the uncanny of modernity 

SCREENING CHERNOBYL 25 

Presented by Klaus W. Eisenlohr. The film program comprises films representing visions of the abandoned city of Pripyat by artists and documentary filmmakers, and imaginations of futures under the influence of “peaceful nuclear energy”.
Gair Dunlop confronts historical material about the glorious future that Dounreay Atomic Research Establishment would provide with his own camera footage, shot after the shut-down of the research power plant (Atom Town: Life After Technology). Now a ruin that still radiates, Dounreay does not attract nuclear tourists, unlike Chernobyl, which has become a popular destinations for photographers and other contemporary “explorers”. Julio Soto presents his imagination of cities after a climate or nuclear catastrophe in virtual images (Invisible Cities) just before he went to Pripyat himself in order to make a documentary about past and present inhabitants of the forbidden zone (Radiophobia). Vanessa Renwick in glorious pictures celebrates the good-bye to Trojan, a power-plant in the US that may be the equivalent to Brokdorf in Germany concerning the long-lasting local protests, but which was never going on-grid (Portrait #2: Trojan). And Thomas Bartels reflects in poetic pictures of 16mm film the mood of the year 1986, now almost a documentary of the mood in Germany under the influence of the clouds of Chernobyl (Zwischenlandung).

Chernobyl may have become the symbol for the crumbled future visions of modern prosperity made possible by peaceful nuclear energy, and for the apocalyptic imaginations of a modern catastrophe. However, it has also triggered an array of aspirations for adventures. Maybe less so the actual melted and broken reactor, shielded under a crumbling “sarcophagus” but the ghost town Pripyat, once a young modernist city, has become a collective iconographic symbol for the uncanny modernity that seems to attract people in many ways.

pripyat — the uncanny of modernity

Tuesday, 20 Sept 2011
19:30 
Kommunales Kino Freiburg
Alter Wiehre Bahnhof
Urachstr. 40
79102 Freiburg im Breisgau

press links:

Program infos:
http://www.richfilm.de/filmUpload/1-framesPripyat.html
http://www.koki-freiburg.de/detail.php?fnr=3843

http://www.koki-freiburg.de/
http://www.directorslounge.net

directors lounge special screening

Jakob Kirchheim

schnitte—bilder—worte

film and video works
Thursday, 28 July 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte

Prints–Images-Words

Jakob Kirchheim combines different art genres in very personal ways, genres that usually are not connected with each other. He creates films and paintings using linoleum prints. The seriality of printing initially made the artist experimenting with film. He has used a variety of animation methods without leading him to classic animation forms. The ways Jakob Kirchheim also includes words and maps then results in political meaningful references, and they partly remind of the styles of agitprop from the 1920’s, but also from the 60’s and 70’s. However, the artists likes to see them as media references rather than just bold political statements. These references seem to say, «Agitprop? Isn’t that pure poetry, anyways?» Already in 1987, Jakob Kirchheim conceived his first «Linolfilm», a stop motion film based on linoleum prints as a combination of words and images. Since then he further developed his film techniques using photographs, collage techniques and live footage, and he thus has produced over 20 experimental animation, poetry and documentary films.

Artist Link:
http://www.jakob-kirchheim.de/

Links:

More infos at http://richfilm.de/filmUpload/1-framesKirchheim.html

Z-Bar
http://www.z-bar.de